music reviews home
Music Reviews

Review of live perfomance - Lori McKenna at Ram's Head, Annapolis, MD - January 22, 2008 - by Jim Havard

Hey Tom. So, here's the scoop on the Lori McKenna show. I went to Annapolis last Tuesday to see her at the Rams Head tavern. I went with Pam, a very fun woman who's a singer in a couple of rock bands and is an attorney for the SEC. She is really into music and song writing and was a great companion for the trip. We got there around 7:15 for the 7:30 show. I got tickets months ago, so we were at one of the three front tables up next to the stage.

Mark Erelli was the opening act. He said he and Lori and the rest of the group had been driving 7 hours that day (presumably from Mass) and thus he wasn't going to tell many stories because he was tired and wasn't sure what would come out. His first tune was on the mandolin. I liked him a lot. A good song writer with an interesting, nice voice, and great mandolin and guitar work. It was great to hear so much mandolin. Hearing so much mandolin during his set and with Lori (including his great playing and his tuning in between songs) really brought me back and made me think about us playing in the basement. I thought he had a style similar to yours -- really great melodic runs through the songs, but also a percussive rhythm that worked well.

Lori came out next. She had a drummer, electric guitar player, bassist, and Mark playing mandolin, acoustic guitar and steel guitar. She has a great voice, plays the guitar well, has great songs, is very smart looking, bright and captivating. I liked the show a lot. The band seemed to have a very good reporte and they were very tight. They had a really great sound mix, with the instruments being at the same level as the vocals. Also, Mark and Lori harmonized really well together, with Mark's volume sometimes overtaking Lori's, leading to cool sound results. She played guitar on most songs, but just sang on others. A great presence. She did seem a bit formulaic -- I had been worried about that, with her recent big time success (she mentioned Faith Hill and Oprah of course). For example, people called out requests and she said "I'd play it if I knew it" (she said that about Bible Song). And she had a clear set list; there were a couple of copies on the floor of the stage and one of the roadies gave us one to take home -- they hadn't varied from it. I really liked a song she said she recently wrote called "Every Word Hurt." It is a beautiful song and she seemed really into it. I wish I had seen her back when you did, back when she started. But this show was really good. A big highlight for me was the last encore -- you'll see why when you get to the bottom of the set list! Here it is:

I know you
Drinkin'
Written
Crazy
Your Next Lover
Leaving
Stealing
Every Word Hurt
Dream A Little Dream (that cover song)
Pour
Monday Afternoon
Unglamorous
Encore: Fireflies
Encore: It Makes No Difference

Pam seemed to really like the show too. A fun night. We were back in DC by about 10:15. That's it.



Review of live perfomance - Lori McKenna at Joe's Pub, New York, NY - December 12, 2002 - by Thomas D. Havard

The only reason I went to this show at all was that I had attended yet another Richard Shindell concert a month or so before, and Lori McKenna happened to be the opening performer. She only played a handful of songs that night, but she captured me with her songs and presence on the stage. I bought a couple of her cd's after the performance. After listening to one of them almost daily, "the kitchen tapes", during my more-annoying-than-necessary commute on the merritt parkway, I couldn't see her again soon enough.

Soon enough arrived with a random call to the WFUV member line in early December. It turns out she was playing at a place called Joe's Pub in Manhattan, and WFUV was giving 2 tickets away. I claimed them, but could only use 1, as it turned out. Joe's Pub sounded like a rustic beverage establishment, but turned out to be a slightly swanky restaurant/nite club connected to a theatre called the Public. I claimed a stool at a comfortable distance from the stage by placing my PCH fleece pullover upon it, and then headed to the bar to check out the tap selection. Solid, but nothing creative. Bass Ale looked the best. Sorry, we're out of bass. How about a Sam Adams? Sorry, no bass or Sam Adams. OK, do you have any Guinness? Sure. 3 Guinness then, thanks. $7 a piece. Wow, that's fair!

A woman named Kris Delmhorst took the stage first, accompanied by lead guitarist/mandolinist Steve Mayone, from Scarsdale, who also added some background vocals. The instruments were understated, leaving plenty of space for Kris' folk/bluesy singing on her original, yet traditional songs. She's not the first person in the world to try this, but was obviously having fun up there. The two must have been playing together for some time, as they were right on, and they complemented each other well.

Early in the set, Kris asked Lori to join her on stage to sing background vocals on one song. Sorry that I can't remember the song, but Lori sounded beautiful, and I told her just that when she walked right by me after leaving the stage. I think I was pretty cool about it. She said "thanks" and touched me softly on the upper arm/shoulder. I became a fan for life, and haven't washed that shirt yet.

Before Lori McKenna began her set, a familiar face took the stage. Richard Shindell's regular bassist, Lincoln Schleiffer, with an unknown drummer, would be accompanying her for this set. She opened with "Mars" from the "Pieces of Me" album. Her "band" followed along by sight-reading charts on music stands. Unprofessional, I thought, but I'm not quite sure who exactly was being unprofessional. They sounded fine, but were unnecessary in my opinion, taking away from and adding little to the reason we were there, which was to see Lori McKenna, who sounded just great. Lori is apparently a housewife and mother of 4 who lives in the town where she grew up, Staunton, Massachusetts, a suburb of Boston. I got that information from reading articles and listening to her talk a little between the songs.

When she takes the stage, she is obviously putting her entire heart and soul into the performance and enjoying herself immensely. The tunes are uniquely melodic, her guitar playing confident and complimentary to her surprisingly powerful, yet subtle and expressive voice. Despite being from Massachusetts, her voice has a trace of country in it, but matched by an unaffected rock and roll attitude and delivery. And what pulls it all together to set her apart is her GRACE. Although many of the lyrics to her songs are dark or tell a bittersweet tale, she is beaming while she performs, possibly because she knows the music sounds so good.

Highlights of her show included "Bible Songs" and "Beautiful Man", both from The Kitchen Tapes. The latter was performed without the other musicians and was stunning. Other highlights were "Mars", "Fireflies", performed with Kris Delmhorst on harmonies, and a yet unreleased gem of a song possibly called "Killer in Me".

From looking at her schedule, it appears that Lori doesn't leave Northern New England often to perform. But if she does get to your area, I think you should go see her.

The trip back home was uneventful, or so I thought at the time. Joe's Pub is right next to the 4 subway train, leading back to Grand Central, that in turn leads pretty close to home. Unfortunately, my wallet was missing the next morning. I thought I might have left in on the train when I got off in Rye, so I called Metro North, and a couple of hours later they called with the news that they found it. After another trip to the city that afternoon, I had my wallet once again, complete with the 9 dollars I had left in it. - TH